nextbandjesus
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Double and triple tonguingWhat syllables do you use for multiple tonguing? Arbans says 'tu ku' for double and 'tu tu ku'. Some people I know use 'da ga' and 'dah guh duh' for triple. I use 'tu ku' and don't triple tongue. I will find what works best for me when tripling.
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OLDLOU
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double and triple tongueingI was taught and still use the a tuh tuh kuh for triple toungueing and tuh kuh for double tounging. It has worked for me for many years and at my advanced age I can still triple tongue as fast as anyone I have ever heard. At Intelochen Raphael Mendez told me that my tongue was loose at both ends, quoting from Herbert Clark's opinion of another cornetist of that era. I guess that I was properly taught.
OLDLOU>>
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san antonio horn
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tukutukuIve found TU KU and DU GU to be to strong and heavy...I use teh keh....as in eh-xcellent...etc...
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JCStites
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im one of the wierdos that use TKT all the time...but is use:
takata
dogodo
and for super fast stuff - ni-ga (works for double, not sure if i ever use it for triple though)
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san antonio horn
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Nobody wants to here it but the key to multiple tounging is slow and methodical...with a metronome...keeping the tongue light with plenty of air....
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Johan
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I use for double as well as triple tounging Tu-ku-tu-ku-tu-ku etc. I used to use Tu-tu-ku for triple but I found out that the double articulation (for me) is faster then my triple. My teacher told me that no one would notice that in the triplets. And he was right....
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Big Show
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I was taught many years ago and it actully worked for me.
"look at the car" "look at the car" start with that.
The Big Show
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ChicagoDan
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Re: Double and triple tonguing | nextbandjesus wrote: | | What syllables do you use for multiple tonguing? Arbans says 'tu ku' for double and 'tu tu ku'. Some people I know use 'da ga' and 'dah guh duh' for triple. I use 'tu ku' and don't triple tongue. I will find what works best for me when tripling. |
I use tOH kOH for double, and tOH tOH kOH or tOH kOH tOH for triple. Using the OH vowel gets the sound to stay big and doesn't pinch off creating a bad sound. Use whatever vowels you need to get the sound coloring you want, but never small and tight.
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HarryMarks
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Use different sylables for different sounds and ranges.
Tu-Ku, Da-Ga, Ti-Ki, Doo-Goo all have a place in your playing. Listen to the triple pattern on Wynton Marsalis's recording of "Grand Russian Fantasia" on the Carnaval CD. You will hear a very legato multiple tongue.
To start go very slow and make sure your sylables are crisp and all sound the same. Use a metronome.
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TheTrumpeter
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different toungings like ta-ka,da-ga,ti-ki etc.. are all used for different kind of music....find the one that suits u or ur music the best...
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